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The floral pattern adorning this duvet set was inspired by a pencil and watercolour design for a silk textile made in the 1860s by J.D. Cornuaud, which is housed in the V&A's collection of prints, dra more→wings and paintings in South Kensington.
This duvet pattern is inspired by The Garden of Love, a stunning French toile from 1790 housed in the V&A's collection of textiles and fashion. Along with traditional love themes of shepherds and shep more→herdesses with their flocks, it depicts amorous doves in a tranquil pastoral setting.
This duvet set's floral design was derived from a pattern based on a blue and white china bottle that was published in Owen Jones' 1867 book Examples of Chinese Ornament taken from objects in the Sout more→h Kensington museum and other collections, held in the V&A's National Art Library.
This duvet pattern is inspired by The Garden of Love, a stunning French toile from 1790 housed in the V&A's collection of textiles and fashion. Along with traditional love themes of shepherds and shep more→herdesses with their flocks, it depicts amorous doves in a tranquil pastoral setting.
With its stunning floral pattern from one of the V&A's greatest treasures, known as the Kilburn Album by botanical artist and one of the most prolific calico printers of the 18th century, William Kilb more→urn (17451818), this duvet set evokes images of blooming spring gardens.
This duvet set's floral design was derived from a pattern based on a blue and white china bottle that was published in Owen Jones' 1867 book Examples of Chinese Ornament taken from objects in the Sout more→h Kensington museum and other collections, held in the V&A's National Art Library.
This duvet pattern is inspired by The Garden of Love, a stunning French toile from 1790 housed in the V&A's collection of textiles and fashion. Along with traditional love themes of shepherds and shep more→herdesses with their flocks, it depicts amorous doves in a tranquil pastoral setting.
The floral pattern adorning this duvet set was inspired by a pencil and watercolour design for a silk textile made in the 1860s by J.D. Cornuaud, which is housed in the V&A's collection of prints, dra more→wings and paintings in South Kensington.
This duvet set's floral design was derived from a pattern based on a blue and white china bottle that was published in Owen Jones' 1867 book Examples of Chinese Ornament taken from objects in the Sout more→h Kensington museum and other collections, held in the V&A's National Art Library.
With its stunning floral pattern from one of the V&A's greatest treasures, known as the Kilburn Album by botanical artist and one of the most prolific calico printers of the 18th century, William Kilb more→urn (17451818), this duvet set evokes images of blooming spring gardens.
The vibrant floral bouquet pattern adorning this duvet set has been adapted from a 20th-century upholstery fabric from the British firm Morton Sundour's 'Cumberland Prints' series, held in the V&A's c more→ollection of textiles and fashion.
This bedding set features a classic paisley pattern based on a working drawing for silk fabric production by J.D. Cornuaud, held in the V&A. The design captures the vogue for the motif across Europe d more→uring the 19th century. It was a popular choice in both British and French circles due to its detailed, ornate design and association with luxury.
This duvet set's floral design was derived from a pattern based on a blue and white china bottle that was published in Owen Jones' 1867 book Examples of Chinese Ornament taken from objects in the Sout more→h Kensington museum and other collections, held in the V&A's National Art Library.
With its stunning floral pattern from one of the V&A's greatest treasures, known as the Kilburn Album by botanical artist and one of the most prolific calico printers of the 18th century, William Kilb more→urn (17451818), this duvet set evokes images of blooming spring gardens.
This bedding set features a classic paisley pattern based on a working drawing for silk fabric production by J.D. Cornuaud, held in the V&A. The design captures the vogue for the motif across Europe d more→uring the 19th century. It was a popular choice in both British and French circles due to its detailed, ornate design and association with luxury.
This bedding set features a classic paisley pattern based on a working drawing for silk fabric production by J.D. Cornuaud, held in the V&A. The design captures the vogue for the motif across Europe d more→uring the 19th century. It was a popular choice in both British and French circles due to its detailed, ornate design and association with luxury.
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